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Bryan Devendorf's drumming is an incredible propulsive force; it makes the music ebb and flow like a surging, swirling ocean, a dark sea of melancholy that somehow manages to be both depressing and energetic at the same time. "We'll stay inside `till somebody finds us, do whatever the T.V. It's great to hear a band committed to both honing their strengths and expanding upon them. Berninger paints relationships like Monet paints haystacks--exhaustively, with an eye for subtle shading and changes in atmosphere and mood that others would find mundane. I wasn't sure I liked this album when I first got it in 2007; in truth, I think I wasn't ready for it.Since their 2001 debut, The National have become one of the most compelling bands in indie rock.
Radiohead's "OK Computer" and "Kid A" and Wilco's "Yankee Hotel Foxtrot" are often cited as emblematic records of this generation; "Boxer" (and its predecessor, "Alligator") deserve a place alongside them. But their music feels more authentic to me, in that they speak not to blue-collar life, but to white-collar people who live a bleak, black life in which the paths to happiness--through work or romance or politics or oblivion--are murkier than ever. On "Apartment Story," he chronicles what sounds like an alcoholic codependent relationship, one where a couple ends up holed up in an apartment like shipwreck survivors on a deserted island, seeking solace in mutual isolation, relying on the sterile quasi-humanity of technology to avoid the brutality of actual human interaction. It feels personal enough to be authentic, but general enough that you can relate to it.The National have been likened to Bruce Springsteen; his grandiose soundscapes are clearly an influence, and they covered "Mansion on the Hill" on their "Virginia" EP. Here, he's sometimes almost drowned out by the music. Walk away now, and you're gonna start a war." Throughout the album, there are similar pictures, tense and angry, funny and sad. On "Alligator," he was mixed more clearly; he may have been adrift on the stormy seas, but his voice rose above the noise, telling us what we needed to hear but didn't want to, over and over again. And yet, on the next song, it seems like he and his lover are recoiling from the claustrophobia of their self-imposed exile; he's telling someone: "We were always weird but I never had to hold you by the edges like I do now.
Fortunately for those of us who are paying attention, their most recent album, "Boxer," is perhaps their strongest--and certainly their most adventurous. tells us, stay inside our rosy-minded fuzz," he says. All in all, they paint an unforgettable picture of post-millenial life, of Americans "half awake in our fake empire," searching for meaning in relationships and looking for feeling in alcohol, but finding tensions and frustrations that mirror those in the confusing angry world outside. And again, Matt Berninger's voice floats atop, memorable and vulnerable, funny and sad.That voice, and its relationship to the rest of the music, have changed quite a bit. Still, the effect is arresting and compelling, distant but haunting, like watching a YouTube video of someone slipping beneath the waves.Yet we root for him, for when his lyrics are clear, it's apparent that his stories are our stories, his struggles, ours.
Almost every song is excellent which is rare to find these days. After my 3rd listen, I realized this cd has legs. Stand outs: Gospel, Guest Room, Start a War, Green Gloves and Slow Show. Boxer is my first cd from The National. After my first listen I thought it was interesting, but was going nuts on it.
A very solid album throughout, I highly recommend it. The closest thing I can compare it to is Bon Iver's For Emma, but much more polished.I have suggested this album to a number of friends and each person comes back saying how much they love it. This is an excellent album. Beautiful, haunting lyrics combined with a melancholy voice make this CD one that you will listen to over and over and over again.
I'm giving my award of " New Band of the year" to The National(they didn't come out this year but I just discovered them, so.NEW to ME)a good friend of mine gave me a copy of "Boxer" a few month ago and it hasn't left my CD changer yet. The singer's dead-pan, Ian Curtis like delivery and the slow tempo of a number songs may be a turn off but given a few listens you'll find that they're the band's strengths. Their delicate and creative approach to song writing had quite a profound effect on me. Hard to explain unless you hear them.
I'm overjoyed to have found them and I think that we'll a long and happy relationship together. The National seem to touch on the subjects of alienation, longing and maladjustment. The "character" in the song seems to feel lost and fearful about being unwillingly forced into a ever changing and uncertain future. Waste no time and discover them for yourself. The National is a tremendously talented band who make beautiful music. It's not difficult to fall for them.
The best example I think is in the track "Mistaken For Strangers" a song about running into and being forgotten "by your old friends". Favorite tracks: Fake EmpireMistaken for StrangersBrainy Slow Show While listening it sounds so familiar but at the same time something new and completely original. I can see some problems for new listeners.
The album mixes music and lyrics perfectly, every song is completely different and shows a multifasetic Brooklin Band, thatshos how an album can achieve perfection.
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